Audiovisual production course
Learn how freshtiq will help you reach broadcast-ready standards
Studio design, camera control, lighting and sound taught in a working studio by people who run live television every week.

Let's start something completely new together
Drop us a line and we'll get in touch. We'll see which module suits your crew and how we can help each other.
Get in touchControl RoomCOURSE
A signal chain is a set of rules for how you route, monitor and balance every source.
From camera head to transmission, you learn to build a gallery that stays calm when the programme does not.
Learn more
6
cameras shaded live
48 kHz
clean programme audio
One programme that fits your crew
Pick the full production pass and cover every discipline in the gallery, on the studio floor and in the sound room.
One transparent price covers tuition, studio hours and course materials, with no hidden costs for kit or facilities.
What you'll get
- Six practical modules in a working studio
- Hands-on shifts on cameras, lighting and audio
- Small cohorts of up to twelve learners
£1,290/ programme
£1,850Save 30%
Join crews, students and career changers who have trained with freshtiq and moved on to studios and live productions.
Pay in three instalments
Enquire todayEvery module includes studio time on professional equipment, not just slides.
Pricing FAQs
Who is the course for?
Runners, technicians, students and career changers who want to work in television, streaming or live events.
Do I need previous experience?
No. Module one starts with the basics of signal flow, and every later module builds on it step by step.
Can I pay in instalments?
Yes. The Complete Production Pass can be split into three equal monthly payments. Just ask when you enquire.
Can I book a single module?
Absolutely. Each module is priced on its own, and the full pass saves up to 30% compared with booking them separately.

Studio design that holds up on air
A good studio is built around the programme, not the other way round. We teach you to plan floor space, sightlines, power and sound so that the set looks effortless on screen.
- Acoustic treatment planned before the first camera
- Lighting grids mapped to every camera angle
- Intercom and tally routed from day one
Camera shading and matching
Lighting plots that read on air
Clean, balanced mixes
Resilient live workflows
